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You want a misunderstood, self-proclaimed genius whose lofty ambitions in life are thwarted either by a boorish sidekick or, more often than not, his own painful shortcomings? A man trapped by circumstance? A, let's face it, pompous prig? Tony Hancock is the archetype. The show came along during an era when comedy was steeped in the fast-talking knockabout antics of the music hall. With its character and situation-based humour, Hancock's Half-Hour sounded shockingly naturalistic: almost Pinter-esque by comparison.
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